Diana Krall Bossa Nova Music and Video
Learn to Play Bossa Nova Guitar (here)
Here is Diana Krall - Quiet Nights Video
A Collection Of Bossa Nova Songs
Jazz News: For Diana Krall, "Quiet Time" is a Rare Thing
Krall enlisted the revered arranger Claus Ogerman, who also contributed to her 2001 album, The Look of Love. Best known for his work with bossa nova legend Antonio Carlos Jobim, Ogerman “thinks cinematically, which I do, too. …
Diana Krall Quiet Nights Album Album Clip
Krall breezes through a few bossa nova standards, most notably “The Girl from Ipanema” (here gender-reversed to “The Boy…”) and the title track (originally “Corcovado”), both penned by the legendary Antonio Carlos Jobim. …
New Diana Krall Album Melds Jazz, Bossa Nova | VIV Says
When we heard that Diana Krall’s Quiet Nights (Verve, 2009) melded Brazilian bossa nova with West Coast jazz, we were eager to experience what the Grammy-winning pianist/vocalist had in store for her 12th album. Graced with Krall’s rich …
Some ‘Quiet Nights’ for Krall fans - The Sarnia Observer
Diana Krall’s bossa-nova drenched new album is called Quiet Nights. Now given the Nanaimo, B. C.,-born jazz singer-pianist is the mother of two-and-a-half-year-old twins, Dexter and Frank, with husband of six years and British musician …
As to her having been influenced by Bossa Nova, what does being from Canada have to do with that? Musicians have always drawn on myriad influences from far-flung locales. Should she have only listened to Oscar Peterson, Neil Young, …
Diana Krall’s Latest, ‘Quiet Nights’, Out March 31
"When we did The Look of Love, we were very much leaning in the bossa nova direction. Quiet Nights is really a celebration of this music. Diana sings three Brazilian classics, she rhythmically turned four standards into that style, …
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Learn To Play Jazz Guitar
There are many ways of starting to investigate how to play jazz guitar. Some guitar players see jazz as a way to learn improvisation. Others see jazz guitar as an instrument that accompanies a certain repertoire of songs. But once you start to actually study jazz you are confronted with a head-spinning array of odd looking chord shapes and endless discussion of modes and scales.

Just what is your average beginner guitar player supposed to think when all he wants to do is learn how to play jazz guitar? Well, jazz kind of grew like Topsy from its beginning as part of Black American culture in the early twentieth century. The rest of America and the rest of the world started adding their own interpretations of jazz music.
So now under the heading of jazz guitar we have widely diverse styles as those of Wes Montgomery, Lenny Breau, Joe Pass, Charlie Byrd, John McLaughlin, Herb Ellis, Pat Metheny and Charlie Christian. This list is just off the top of my head and these guys’ playing styles are as different from each other as cheese is from Shinola.
So where is the starting point for anybody who wants to learn how to play jazz guitar? I would have to say the repertoire. There is a body of songs and instrumental pieces that are called jazz standards. There is a website called Jazz Standards dot com that has twenty pages listing one thousand jazz standards.
Here is a list of familiar titles from the top one hundred jazz standards: Body and Soul, All the Things You Are, Summertime, ‘Round Midnight, My Funny Valentine, What Is This Thing Called Love?, Yesterdays, Stella By Starlight, Autumn Leaves, Star Dust, Willow Weep for Me, Honeysuckle Rose, Sweet Georgia Brown, Caravan, The Man I Love, St Louis Blues, How High the Moon, Oh, Lady Be Good!, Take the "A" Train, Embraceable You, On Green Dolphin Street, These Foolish Things, Sophisticated Lady, Ain’t Misbehavin’, Night and Day, Georgia on My Mind and Satin Doll.
Buy your favorite old jazz records (here)
So the jazz repertoire seems to be the one common thing amongst the diversity of styles of playing and levels of innovation. Of course you need to get into subjects like what jazz chords are and why they have evolved and the various movements in jazz music but in order to keep it simple start with a list of your favorite songs. Once you have a list of maybe twenty or so songs from the repertoire of jazz standards you can listen to how jazz guitar players have interpreted the songs on your list. From listening to interpretations you can go to learning the chords that you need to play your songs and start practicing them.
As for improvisation, many people feel that in order to learn jazz guitar improvisation you need to learn to play a multitude of exotic scales and modes. A much more enjoyable alternative is to simply play along with your favorite songs. Learn licks from other jazz guitarists. You can always put what you have learned into the theoretical framework later if you feel that you need to. As a general rule, while you are learning, stick to the major scale all over the fretboard.
So, as with any style of music, if you want to learn how to play jazz guitar the jumping off point is the jazz standards and how you want to interpret your favorite pieces.
By: Gyorgy Huba
Article Directory: http://www.articledashboard.com Newbie guitar players are flocking to Guitar How-To for the free articles, tutorials and videos on every aspect of guitar playing you can think of. Fast track your guitar expertise now at guitar-how-to.com/
Learn To Play Jazz Guitar (here)
Mixing Jazz Chords w/ Blues | Guitar Tab
hey snorta how long u play guitar. the dude is a prodigy. he was a recorded jazz artist at 18 yrs. old dont wit legends. if u cant take something from his teaching u dont pay attention. …
What Type Of Guitar Lessons Should I Choose? | Learn How To Play
With a need to find some guitar lessons and a bewildering array of guitar styles to choose from, how do you decide what type of guitar lessons to get? There’s classical, pop,
Wes Montgomery : Biography, Style, Licks and Transcriptions
Legendary guitarist Wes Montgomery is a major influence in the jazz guitar field. Here’s what you need to know about his playing… … Jazz Guitar Blog
How to Get Started Studying Jazz Guitar : Learn To Play Acoustic
Jazz guitar is quite an awesome, endless, and ever rewarding style of music. It doesn’t matter what your style of preference is, because I think that.
Jazz Guitar Primer, Page Two - [continued from page one: Introduction to Jazz Guitar Music: A Jazz Guitar Primer] Pat Martino (1944- ) Pat Martino.
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Basics Of Guitar Picking
If you want to do some serious guitar picking you need a fairly heavy pick. I recently read a post on a forum where a guy said he uses a dime for speed picking. This might be a trifle extreme but it illustrates how far you can go in the pursuit of individual style. Whatever you choose for a pick, hold it between your index finger and your thumb. That might seem obvious but we need to be on the same page. And let’s get something straight right away - you need to pay attention to how you hold the pick. The sound you get is cleaner if you are holding the pick parallel to the strings. Angling the pick gives a softer attack.

You pick guitar strings with the pointy part of the pick, and the idea is to pick clean and fast. But it takes practice. There are a few different ways of looking at developing picking speed. One school of thought says you keep your wrist rigid, starting the movement from the elbow. You can also just use the index finger and thumb in a circular movement but your body is probably going to want to move from the wrist.
Any mode of picking you actually use will be a mixture of the above methods reflecting your own body’s way of working. Here is a good place to mention pain. Don’t play through it, you will injure yourself. If your wrist or hand or arm hurts - stop. If it hurts when you start again tomorrow, maybe you should see a doctor. It’s best to look after your body and live to pick guitar another day.

For playing fast you need to develop your alternate picking technique. Start with a downstroke and do alternating down and up strokes. Don’t try for speed at this stage, you are just getting your muscles used to the picking movement.
Many guitar players mute the strings that they are not actually playing so no unnecessary sound is picked up. Place the meaty heel of your hand on top of the strings, in front of the bridge. If you are playing metal guitar, you will be going for the chugging sound that some pressure on the strings will give you. If you want to hear the notes ringing while you are playing fast, lessen the pressure of your hand on the strings.
Another consideration for a guitar picker is the dynamics of the sound produced by picking near the neck or near the bridge. You are possibly already aware that you get that Duane Eddy twang by playing close to the bridge, and the sound mellows as you move your picking hand closer to the neck.
Of course you are going to be in need of further exercises for getting your up and down strokes flowing automatically. You can get these from a teacher or from an internet search. For practicing muting and experimenting with different sounds, you should already know some songs you want to fool around with.
By: Ricky Sharples
Article Directory: http://www.articledashboard.comDo you want to learn to play the guitar? Learn How To Play A Guitar For Free is a constantly updated blog which contains all the resources you need for: learning to play solo guitar, how to learn guitar chords, how to learn to read and play easy acoustic guitar tabs, finding a free online guitar tuner, looking for free guitar lessons online, and how to learn guitar scales.
Buffalo’s Rising Guitar Subculture Entertainment
Today I stumbled upon Christian Campos playing the gentle and rhythmic sounds of Bossa Nova at Buffalo’s latest hidden gem Sweetness 7 Cafe on Grant Street.
Sugar Loaf — Bossa Nova guitar lesson
Sugar Loaf — Bossa Nova guitar lesson: "Best fomat I have seen while searching for leasons to learn bossa nova. Thanks for posting."
Music-Face: Brazilian Tropical Orchestra - Beatles In Bossa Nova
Easy Steps To Bossa Nova Guitar
The distinctive sound of Brazilian bossa nova guitar has permeated the musical landscape for fifty years, influencing singers, instrumentalists and songwriters throughout the world.
How to Play Bossa Nova Guitar Chords
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Learn to Play Acoustic Guitar
Learn how to Play Guitar with this best selling course!
If you are an aspiring acoustic guitar player and looking for some information on how to get started, this article will give you a great head start.

The very first step toward learning to play acoustic guitar is to develop confidence and to destroy that "I can’t do it" mentality. Your biggest obstacle in your acoustic guitar playing is not going to be money, time, or the absence of a good teacher. The biggest obstacle is going to be you. You are your own worst enemy. Once you learn how to tame the negativity inside, you will be that much closer to becoming a good acoustic guitar player.
Frustration is normal during the learning process. Learning anything new is not meant to be easy. Resistance is what helps us grow. So the next time you are working on a scale, or chord progression, and you find yourself fumbling or messing up, don’t throw down the guitar with frustration, instead welcome the challenge and have patience in it.
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YOUR FIRST GUITAR
Buying a first guitar is an important step for the beginner guitarist. You should have a good understanding of the acoustic guitar as a whole as well as a good idea of what your goals are as an acoustic guitar player. By educating yourself in these areas, you will be able to make an intelligent purchase that can provide you with years of enjoyable playing.
There are two kinds of acoustic guitars that you can purchase and they are your classic or nylon string guitar and your steel string guitar. One is not necessarily better than the other as it is really a matter of personal taste, but each guitar does have its own unique feel and sound. The classic or nylon guitars produce a round or dull tone, where as the steel string guitars are much different, producing a bright tinny or metallic sound. You will certainly develop your own preference the longer you play, or like many guitarists, you will enjoy using both. Only time will tell.
Another thing you will have to consider is the body style of your acoustic guitar. Acoustic guitars come in a variety of different body sizes from small to jumbo. Each size has its own distinct sound. Smaller body guitars have more treble and midrange sounds and are much easier to hold. Lead guitarists tend to favor smaller body guitars because they tend to have a more balanced sound to them and are easier to make out when playing with other musicians in a band. Your larger body guitars have more bass and are more difficult to hold. The only way to really know what body style is right for you is to try one out for yourself. Your best bet is to find a guitar that you are comfortable holding and playing. Guitar playing is challenging enough in the beginning and you do not need any added difficulties.
Guitar quality will differ depending on the model and brand. Sometimes two instruments of the same make and model can differ as well. It is therefore important to try out as many guitars as possible within your price range. It is also recommended that you bring along an experienced musician when you go guitar shopping. An experienced guitar player will be able to better judge the quality of a guitar.
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Buy the best guitar that you can afford. Many of the guitars that sell for under $100 are poorly made for the most part. If you cannot afford to spend more, then save up and wait until you can. A well made guitar will be easier to play, more appealing to the eye and more responsive. If you enjoy playing your instrument more, you will then be more inspired to play. You can find a fine beginner acoustic guitar for under $500. Some brands to look into are Seagull, Martin, Yamaha, Fender and Ibanez to name a few. You may also want to look into the used acoustic guitar market. You may be able to find some real gems out there at great prices, but you have to be very careful with used guitars. Make sure you take an experienced guitar player with you if you decide to buy a used guitar.
LEARNING & PRACTICE
There is probably no substitution for a good guitar teacher, but it can be rather expensive over time, so many guitar players are left with no other choice then to learn on their own. For those of you who may not be able to afford a professional instructor right now, below are some guidelines for helping you get the most out of your practice time.
Practice as many days out of the week as you can for at least twenty to thirty minutes, more if possible. The more often you play the faster you will learn. Be careful not to overdo it though and take breaks of course. Your brain can only absorb so much information before it needs a break and your hands and the rest of your body need time to recuperate as well. When you practice do not rush through any of your exercises. Twenty minutes of quality focused practice is much more effective than an hour of sloppy practice
Study Your Instrument
Take some time to learn more about the parts of your acoustic guitar. Learn about how it is constructed and how all the parts work together to produce those beautiful sounds that you hear.
Learn How to Tune Your Guitar
You can find free step by step guides online for tuning your acoustic guitar. Make certain that you spend time learning how to do this. Purchase a guitar tuner at any local music store and practice tuning your guitar with the guitar tuner. When you begin to develop a better ear, try tuning it without the guitar tuner. Then use the guitar tuner to check and see how accurate your ear was. This will help you develop a good ear.
Learn the Right Posture
If you are accustomed to just grabbing your guitar and sitting down to play in any old position, then you are at risk of injuring yourself and developing bad playing habits. Make sure you understand the correct way to sit and hold your instrument for optimal performance.
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Learn Your Chords & Scales
Learn as many different chords and variations of the same chord that you can and practice your scales. This will give you a well rounded familiarity with the frets on the guitar and it will build up strength in your fingers and hands.
I hope this article has helped with your acoustic guitar learning. Keep a positive attitude and practice! Before you know you will be playing acoustic guitar like a pro. I wish you well. God Bless.
Are you interested in more free information on learning to play acoustic guitar, including articles, tips and instructional video clips? Visit http://www.learn-acoustic-guitar.com today!By Ralph Serpe
Published: 7/18/2007
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Beginner Guitar Lessons Online Made Easy!
Have you just bought a guitar or are you thinking of getting one, but you just do not have the first clue on how to strike a chord? If so, getting guitar.
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Self-expression Through Jazz Improvisation
Jazz music is one of the most expressive and satisfying genres of music for the musician who is looking to express him or herself creatively.

Jazz is a very popular genre of music as well as being an intrinsic part of the history of American music. Although some people believe that jazz had its origins in early twentieth century South America, there is no doubt that jazz really came into it’s own in the United States and was heavily influenced by African American blues music. The Blues were popular in the first half of the 20th century in the rural south and developed in cities such as New Orleans, St. Louis and Chicago.
The music that was called jazz was popular in many countries, including the United States. At the same time it quickly spread to many countries in Europe, and then to many parts of Asia, South America and Australia.
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What are the characteristics of jazz music? Jazz makes use of ‘blue notes’, improvisation and syncopation. For the most part it is not tied to a written musical score, but rather relies on the more spontaneous expression of the musicians. Jazz became immensely popular in the 1930’s. The 1930’s also saw the rise of ‘white’ jazz singers in addition to the African American musicians who dominated jazz in its early years. But in this era jazz music continued to reflect the characteristics of the blues-oriented black musicians who invented and originally developed it.
Jazz music is constantly flowing and changing. It has always reflected American classical music, as well as popular, urban and rural American musical traditions. African and European styles dating back hundreds of years also find their way into jazz compositions. Jazz is constantly changing and intricately complex while remaining spontaneous and improvisational. So the best way to really feel it is to become part of it. Get into the jazz scene. Listen to jazz masters, and best of all, perform it yourself. Ultimately, jazz is something to be shared with others.
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The process of "putting yourself into the music" via improvising is essential to jazz. This ability must be acquired, and it is best learned while performing with other quality players. Quite often, you can make advances with peers by playing together in a "combo". Unlike other types of music, the interplay of the individual instruments is the heart and soul of jazz.
If you do not have an idea where to start, go back to the beginning of your book. You know everything about the simple songs you began with, so now you can think about experimenting with them and making them your own. Attend performances, listen to a lecture, think about improvisation, then "just do it." Once you have pleasing variations on simple songs, apply those skills to more complex tunes. Never forget that jazz is just as much about revealing your soul to the world as technical virtuosity.
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To begin learning the basic techniques of jazz improvisation, it is important to alter the notes of your song here and there when playing. This holds true whether your are learning the jazz guitar, piano, trumpet, violin, saxophone, or any of the multitude of instruments used in jazz.
To immerse yourself in jazz music, start by listening to both the traditional and contemporary jazz masters. Additionally, there are schools of musical instruction that focus on instruction in jazz, jazz improvisation, jazz soloing, and a multitude of other facets of the genre. If you are serious about becoming a jazz musician, one of these schools may be the most direct path to attain your career goals.
Jazz music is one of the richest, most expressive and most satisfying genres of music for the musician looking for creative expression. The magic which jazz creates cannot be expressed in words. It is entertaining and appropriate for almost any occasion where people are interested in actually listening to the music. And it is challenging and rewarding for the musicians too. What could be better than that?
By Howard Brule Published: 4/17/2008
Find Favorite Latin Jazz Records Here
Jazz News: Nickel & Brass Septet Releases Debut CD "Four-Color
The Nickel and Brass Septet’s debut CD Four-Color Heroes! presents new music for improvising ensemble by composer and guitarist Andrew Boscardin. The music combines elements of jazz,…
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Playing the guitar with his thumb nail allowed him to perform very fast, Mr. Davis said. One of Mr. Eaglin’s best-known songs was “Funky Malaguena,” a Latin song that he played with…
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California Grammy nominated Latin Jazz Guitarist…
Over the past 15 years since he first appeared at the La Ve Lee Jazz Club in Studio City, Grammy nominated Latin jazz guitarist Luis Villegas has built a devoted following. So when …
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Great Jazz Guitarists
As guitar is the top instrument in Bossa Nova Music, and bossa nova guitar inspired many jazz musicians, you may be interested in checking out the music of these famous jazz guitarists.
Some of the most influential and innovative guitarists have emerged from the world of Jazz - often with breathtakingly fast technique and intricate phrasing - Jazz maestro’s can match anything that rock and roll can produce - indeed the Jazz genre has been popular for almost 100 years and from trad jazz to new world fusion pioneers they are a diverse breed producing a wide spectrum of sound.
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So what makes a great Jazz guitarist? Flamboyance - technique and a das
h of magic - our top 10 list features guitarists who have their own unique styles and sound - often mimicked but never matched. Want to get into Jazz guitar? Well check out these ten great players.
1. Joe Pass
With a career that spanned 50 years, including time spent with Frank Sinatra, Dizzy Gillespie and Herb Ellis - Pass became renowned for his solo style that utilized complex finger picking technique coupled with a deft left hand phrasing. With an Epiphone signature guitar released in his honor - Pass is a true great
2. Pat Metheny
Part of the modern Jazz set - Metheny is a real innovator on guitar - mixing a broad palette of musical influences from rock to folk, orchestral and traditional Jazz. Hard to pin down with a specific technique but with influences from Joe Pass to Wes Montgomery he’s has a career that spans 30 years and remains highly regarded.
3. Les Paul
One of histories most important guitarists. Central in the development of the modern guitar and recording techniques. It was however as a Jazz Guitarist that he became famous - with a fast fluid style reminiscent of the great Django Reinheardt but with a distinctive country twang he’s blazed a trail throughout his career - the fact that Les Paul still played to audiences in his 90’s is testament to how important this man is.
4. Wes Montgomery
Montgomery played with a distinctive style - discarding the use of a pick he played with mostly with his thumb resting his fingers on the guitar’s body. With intricate phrasing including use of Octaves - Montgomery sound is easily distinguishable - despite a career that was cut short at the tender age of 43 - Montgomery still had time to record a string of hit Jazz albums and influence a wealth or artists.
5. Charlie Christian
Hugely influencial in the Jazz genre and one of first mainstream Electric Guitarists but with a frustratingly brief career (dying at the age of 25) - renowned for his playing with the Benny Goodman orchestra in the 30’s and 40’s
6. John Mclaughlin
Incredible Jazz Fusion artist - part of the Mahavishnu Orchestra fusion group in the 70’s. With a blinding fast technique and influenced by world music sound - McLaughlin is a unique voice in the world of Jazz.
7. Herb Ellis
Reaching the Jazz audience with his stint with the Oscar Peterson trio in the ’50’s Ellis has continued to record and play with a range of artists - with a fast - fluid but still melodic style - Ellis has a distinctive voice in the world of jazz guitar and inspiring tecfhnique.
8. Charlie Byrd
Grammy award winning and with a career that spanned 40 years - classically trained Byrd was heavily influenced by the South American bossa nova sound made his name playing with Stan Getz during the 1960’s -
9. Kenny Burrell
With a style that marries a soulful technique with a love of bebop, Burrell has played with a bucket load of greats including Dizzy Gillespie, Stan Getz and Benny Goodman - with a treasure of over 40 albums and career spanning over 50 years Burrell is a true Jazz master
10. Django Reinhardt
No list of Jazz guitarists would be complete without mentioning Django - with a Gypsy upbringing and musical influence he had a fascinating technique which involved picking close to the bridge and one string solo’s - influenced by few but influencing many - he remains perhaps the most important Jazz Guitarist of all time.
Find Your favorite Guitarist’s Music Here
By: Adrian Martin
Article Directory: http://www.articledashboard.com The author runs the blog Jazzbox-Cafe which offers a lively and fun look at the world of Jazz Guitar - offering tips on equipment and technique and a place for those that love the genre to discuss the latest news and events.
Gibson Custom 1958 Les Paul Standard Electric Guitar
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Gibson Les Paul Historic Collection 1957 Custom Black Beauty …
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gold top - My Les Paul
i think this is a 1988 Goldtop "Pre-historic" Reissue ,but not sure courd be a lot older im dont no how to date it The serial number is ink.
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